Monthly Archives: May 2015

The Last Man on Earth Season 1 Review

the_last_man_on_earth_cast(This review contains spoilers. Also, too many instances of the name “Phil Miller.” Having two characters with the exact same name makes writing hard!)

I wrote about The Last Man on Earth roughly halfway through its season in my “Deep End” section, which you can read here. At the time, the show’s success or failure was still in question, as it was changing its status quo on a near-weekly basis. Now that the season is complete, it is a little easier to put everything into perspective. The Last Man on Earth may have been built on a high concept (the extinction of the majority of life on Earth), but it ultimately settled for a pretty standard premise.

While many praised the early episodes of the series, focused on Will’s isolation and his forced relationship with Carol, the season started to derail around the time the character of Melissa showed up. From that point on, every episode could be summed up by saying “Phil wants to have sex with _______, but _______ is getting in his way.”

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Marvel’s Daredevil Review

MARVEL'S DAREDEVILThe most immediately noteworthy thing about Marvel’s new Daredevil series, the first of five planned series for Netflix, is how little it feels like the rest of Marvel’s cinematic universe. Netflix lists Daredevil with a TV-MA rating, and the show earns that rating with nearly every episode, portraying a gritty and violent Hell’s Kitchen. Even the texture of the image, captured with late-Michael-Mann inspired low-light digital photography, creates a gritty canvas for the show to work on. With an emphasis on street-level crime and political corruption, Daredevil never comes across as a series that coexists with colorful Gods and superheroes like Thor and Captain America.

Yet, from a narrative standpoint, they DO coexist. Multiple mentions of the “Battle of New York” make their way into the story, along with some newspaper headlines and plot-points. Much of Hell’s Kitchen’s redevelopment, spearheaded by Wilson Fisk (known as Kingpin in the comics, although never referred to that way here) is supposedly due to the damage that occurred in the first Avengers movie. Even if the characters only make one or two passive references to Captain America and The Hulk, the events that drive Daredevil can be traced back to their actions.

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Broken Age Review

broken age

(You can watch me play Broken Age Act 1 and part of Act 2 here)

The adventure game has had something of a resurgence in recent years. After being a dead genre since the late 90s, developers have started to realize how well it fits with the mobile marketplace. The basic gameplay mechanics of clicking things on-screen and dragging items out of your inventory to solve puzzles make quite a lot of sense on smartphones and tablets, where touching and dragging are the only real ways to interface with a game. Meanwhile, Telltale Games’ adventure game efforts ultimately led to their re-alignment as a Bioware-esque creator of player-driven narratives with the success of The Walking Dead. However, the basic “click around a screen to explore the environment” model of the classic adventure game still shines through these later efforts.

Despite this resurgence, though, adventure games are simply not marketable enough to greenlight without an attached license (like Telltale’s Walking Dead, Wolf Among Us, Borderlands, and Game of Thrones series) or a very small budget (like most mobile games). While an adventure game would never require the budget of a Call of Duty game, the game industry somewhat mirrors the modern-day film industry in that moderate-budget projects are no longer considered viable. So when Double Fine, headed up by adventure game writer and legend Tim Schafer, decided that they wanted to build an adventure game, they went to Kickstarter.

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Game of Thrones and the Nature of Adaptation

game-of-thrones_aofEQt(This article will contain spoilers for both the Game of Thrones series and the A Song of Ice and Fire series of books)

When the Game of Thrones series began on HBO, it was one of the most faithful book-to-TV adaptations in recent history. Nearly every chapter of the book was present and intact, and the few segments left out (aside from a potentially game-changing dream sequence in one of Ned’s chapters) were not significant. If anything, season 1 was notable for adding scenes to the story. Since the “A Song of Ice and Fire” book chapters are all written from the perspective of specific characters, any moments not involving those characters could not be included in the books. This wasn’t a problem in the TV show, where we could get scenes between Cersei and Joffrey, or Varys and Littlefinger, without breaking up a pre-determined narrative structure.

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