Like the original film, Blade Runner 2049 is intently focused on the question of what makes us human, inviting us to empathize with beings that were artificially created, but still feel. But where the original film zeroed in on the concepts of mortality and memory, 2049 expands its scope to include the concepts of subservience, purpose, physicality, and individuality. It does this by introducing new characters and subplots as thematic reference points, asking the audience to tackle them by degrees. It’s true that Blade Runner 2049 could have been pared down significantly from its 2-hour-45-minute runtime without losing anything central to the plot, but doing so would rob the film of the complexity that makes it so special.
I’m being vague here, because another element that helps make Blade Runner 2049 such a joy is its marketing, which doesn’t dictate even the most crucial plot and character details. There’s a reveal in the very first scene which had not been spoiled for me ahead of time, and it’s essentially the linchpin of the whole story. These moments come frequently throughout the film, the world becoming larger and more complicated as the story draws the viewer deeper and deeper. I would hate to spoil that experience with a block of text.