Monthly Archives: July 2015

St. Vincent Review

St. Vincent

St. Vincent is a perfectly fine movie. It has some funny dialogue, a strong Bill Murray performance, and is centered on a particular character’s arc. The relationship between Murray’s Vincent and child protagonist Oliver (Jaeden Lieberher) is fun to watch, and it feels like a “complete” story. It doesn’t outright bungle any particular aspect of its narrative and if you’re looking for something to watch, you could certainly do worse.

But the problem with St. Vincent, like the paragraph above, is that it is unremarkable and by the books. It takes the shape of an emotional dramedy with a flawed protagonist and his young, innocent new friend, but it doesn’t seem to have a unique point of view or any flair to differentiate it from other movies. Despite the best efforts of the cast, St. Vincent lacks the soul to truly elevate it.

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Inside Out Review

inside out

Pixar has proven over the last decade that they can consistently deliver all-ages movies that are both popular and emotional. A major part of their power comes from Pixar’s mastery of the bittersweet. In their best moments, Pixar overloads its audience with powerful feelings both positive and negative, intertwined in a way that makes it difficult for the viewer to rationalize. In Up, we see the entirety of Carl and Ellie’s life together in a short montage, taking the viewer through a beautifully executed sequence of extreme highs and lows. In Toy Story 3 we watch Andy give away the toys that the series has focused on for all three films, a moment of loss, abandonment, and a new beginning rolled into one. Both moments require a herculean effort on the part of the viewer to hold back tears.

Given Pixar’s history and proven skill with mixing joy and sadness into potent cinematic moments, it makes perfect sense that their newest film, Inside Out, takes the concept of complex emotional entanglement and makes it the subject. The film attempts to tackle the psychological drives that power us all on a day-to-day basis. In addition to characters representing fear, anger, disgust, joy, and sadness, the movie also tackles the imaginary, our core values, abstract thought, the subconscious, dreams, and long-term memory.

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